The Etruscan bronzes
The prices shown do not include shipment costs
Paolo Simoncini has inherited from his father a century's long history of bronze crafting and making. Volterra, where his workshop is located, is one of the 12 federated towns of the Etruscan nation, over 2000 years ago, and has always been renown for the art of bronze making, especially for the production of those stretched figures that inspired so many  artists in all times, including Giacometti in the more recent ones. Paolo is the heir of an old age craft, his family's roots are to be found in the Renaissance Florence, back to Francesco Simoncini  ( Parma 1686- Florence 1753). The Simoncinis were known for their reputation of metal sculpting and metal foundry. 


Running Hare

Found in one of the Volterra's tombs among the dead's possession. The original is dated VI Cen BC -Roman Age- and is visible in the Guarnacci Etruscan Museum.
code inches cm €
SB 23 9 x 4,1/2 23 x 11,5 81,00

Geometric Horse

The Etruscans who were traders, started an incredible -for those times- net of exportations and importations, from Grece to England, some of their art-crafts were found in the egyptian pyramids or in the far eastern countries.

Found among the dead's possession in a tumb in Volterra and dated 750  BC Magna Graecia.
Visible in the Guarnacci Etruscan Museum. 

code inches cm €
 SB11 10,1/2 x 8,1/2 26,5 x 21,5 95,00

Duck

The duck is a recurrent symbol of the Etruscan art, it's meaning is probably related to family. 

Found among the dead's possession in a tumb in Volterra
  
Dated VII Cen BC. 
Visible in the Guarnacci Etruscan Museum.  
code inches cm €
SB13-L 7,3/4 x 7,3/4 19,7 x 19,7 75,00
SB13 -M 5,1/2 x 6 13,7 x 15,5 55,00
SB13 -S 3,1/2 x 3,3/4 9 x 9,5 38,00

Horse at step

The horse was a symbol of
strength and power. They were left in tombs to symbolize the power of the dead in their life. A little like in the Egyptian or in China's tombs. 

Dated IX-VIII Cen BC Magna Graecia

code inches cm €
SB10 - L 10,1/2 high 27

 85,00

SB 10 -S 3,7/8 high 10 35,00

The dancer

Dancers or offerers were considered votive statues, these figurines had the meaning of a perpetual offer to the gods. Dated end of VI cen BC 

code inches cm €
 SB67 5 x 8,3/4 13 x 22,2 110,00

Horse bit

Bits or ornaments like this one -this is a detail of a very elaborate horse bit- were not meant for everyday life, they were used in seligious processions or in official parades. 
Dated VIII Cen BC Volterra

code inches cm €
SB 21 6,3/4 x 7,3/4 14,5 x 19,5

90,00

Patera with Ducks

An amulet container with the recurring symbol of the ducks.  Dated VII Cen BC - Roman Age Tarquinia

code inches cm €
 SB 16 4,1/2 ุ 11,5ุ

48,00

Woman with mirror

This is a woman figures that mirrors the beauty. 
Dated II-III Cen BC - Roman Age Tarquinia

code inches cm €
SB 1 -L 8,5/8 high 22 60,00
SB 1 -S 5 high 13 25,00

The Fighting Minerva

Minerva, compared to the greek Athena, is the goddess of life and symbol of female power, she is also the goddess of war and protection for fighters. 
Found in northern Umbria, dated 420 - 440 BC

code inches cm €
 SB 29 14,1/2 37

180,00

The shadow of the evening-Long Ephebe

Maybe the most famous Tuscan artifact. The stretched figure that inspired Giacometti and was named Shadow of the evening by Gabriele D'annunzio, one of our most famous and celebrated writer and poets of the past century. It was found in 1870 by a farmer that was working the soil in the rounding of Volterra. Not knowing what he found, he used it as a...Fire poker for years, until someone recognized it as a masterpiece of the Etruscan art and...exchanged it for a real fire poker.
Dated IV Cen BC - Ellenistic. 
Visible in the Guarnacci Etruscan Museum.

code inches cm €
OM1 L 22,1/2 57

120,00

OM1 M 17,1/4 44

85,00

OM1 S 7,3/4 20

33,00

Bronzes pages 1 2 3


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